The film poem TURBULENCE stands in the field of tension between surreal fantasy and multi-layered reality.
Telemach Wiesinger’s photographic recordings of aeroplanes from the perspective of the traveller encounter kinetic wing objects by the composer Alexander Grebtschenko.
In the congenial collaboration of the two artists, the electronically controllable “Chimera’s” – elegant bird wings with megaphone – unfold expressive “acting” presence.
The dialogue between the sound level (Grebtschenko) and the visual level (analogue film workshop Wiesinger) opens up space for emotions, thoughts and interpretations. (Thomas Spiegelmann, 2022)